
Metro Station, Metro Station: They might sound like a U.K. dance-pop sensation, but they’re no import. American born and bred, Metro Station has crossover appeal. The band’s music is as popular with the hipsters as it is with screaming teenage girls and it is that crossover appeal that ensures that Metro Station will have as long a career as it wants to.
Beyonce, I Am…Sasha Fierce: While this album just barely made it in before the new year, there is no doubt that it’s one of the strongest efforts put out by any artist this year. A double-disc offering that has something for everyone, I Am…Sasha Fierce is a true concept album. Whether you’re into the heartfelt ballads or the radio killers this album lives up to the massive press and promotion it received. Notable tracks include the stunningly beautiful, “Halo,” “Smash Into You, swaggertastic, “Ego,” ” Hello,” and the aptly named, “Radio.”
Will.I.Am, Songs About Girls: While not a commercial success, in terms of musicality, this album was nonetheless a stunning success. The extremely popular hit single “American Boy” was actually originally titled, “Impatient,” on Will’s album. While the track didn’t feature Estelle or Kanye West, the beat was still a monster. Songs About Girls is masterfully crafted and features a ton of “sleeper” songs such as “Heartbreaker,” “She’s A Star,” and The Donque Song” which features Snoop Dogg. Throw this gem on at a party and you’re guaranteed to get the room going.
N.E.R.D., Seeing Sounds: Is N.E.R.D. rock, pop or hip-hop? The answer is yes. Pharrell and company are at it again with their third studio album. This time around, the genre-defying N.E.R.D. hit us with a concept album based on the phenomenon known as synesthesia. Synesthesia is a neurologically-based phenomenon where the senses overlap, hence, Seeing Sounds. From start to finish, this album never lets up. Highlights include the oh so smooth, “Yeah You,” emotionally tinged, “Laugh About It” and the exuberant, “Everyone Nose.” Definitely a must have album of 2008.
Solange, Sol-Angel and the Hadley St. Dreams: Solange will always be compared to her bigger sister even though her music has very little in common with Beyonce’s. Sol-Angel and the Hadley St. Dreams is more of a throwback record than a contemporary pop album. Cuts like, “I Decided” and “Sandcastle Disco” are tinged with an old-school Motown feel that will always be popular. This album bucks the trend and Solange deserves credit for doing her own thing and pulling it off.
The Hold Steady, Stay Positive: It’s one thing to follow up a classic album (Boys and Girls in America with one that is arguably better than its predecessor. It’s another to include three bonus tracks that rank with the best songs the band has written.
Southside Johnny. Grapefruit Moon: The Songs of Tom Waits: It’s all about the horns. Southside Johnny Lyons’ interpretations of classic Tom Waits tracks benefits from LaBamba and the Hubcaps rich horn section. The disc crackles with an energy nearly unmatched by any band recording this year.
Vampire Weekend, Vampire Weekend: One of the most-hyped new bands of the year lived up to expectations on their thrilling debut, which channeled mid-1980s, Graceland-era sounds with erudite, but not impenetrable, lyrics.
Ryan Adams and the Cardinals, Cardinology: The prolific Adams has had some hit or miss releases over the past few years, but his latest, Cardinology is a masterpiece. It’s country beats flow like a cool river and bathes you in a haunting pool of spirituality.
Ponytail, Ice Cream Spiritual: Fun. That’s what this album is. Fun. It’s a pop pleasure, that captures the band’s essence. Known for their energetic live shows, this album nearly captures that experience.
Amadou and Mariam, Welcome to Mali: The duo’s first album in three years hasn’t yet North American shores, but the hype is has generated on the other side of the pond is well-deserved. World music that is accessible, enthralling, and enlightening at the same time. Sheer genius.�
Note: This is not a countdown. These are the albums that filled our offices all year. Non-Stop, continuous play and sometimes feelings of hatred towards the employee who kept pressing repeat.
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